'The Stone Roses' vs 'Definitely Maybe'

Two of the greatest [debut] albums ever released within five years of each other. Both religiously Mancunian at heart and equally as seminal as one another; it really has been the question to divide all ardent indie music fans ever since '94.

The release of the two albums catapulted both artists into the pantheon of rock artists and the two never really looked back. Whether it's the sheer talent, quirky lyrics, and timeless solos of The Stone Roses' eponymous debut or the blatant arrogance and raw nature of Definitely Maybe, some would say it's mood dependent to which one prefers, whilst others clearly decide in favour of one over its counterpart.

Setting the standards on both albums are the hubristic tracks of "I Wanna Be Adored" and "Rock n Roll Star," which are perfect foreshadows of what is to follow on each album. "Rock n Roll Star" embodies everything good about 1994 Oasis — cocky, authentic, and dreamers — whereas the individuality of "I Wanna Be Adored" captures anybody; Mani's bass rumbling the greatest intro of all time?

In terms of the singles in the lead up to both albums, the Roses released six tracks from '85-'89, with four of these appearing on the final album. Oasis were slightly shyer just releasing the three before the album's actual release; all of which feature on the final piece. "She Bangs The Drum," "Made of Stone," and "Adored" versus "Supersonic," "Shakermaker," and "Live Forever" is a battle of the heavyweights and, had it not been for the somewhat anomaly of "Shakermaker," one, which the general consensus is that Oasis would win. However, the consistency of The Stone Roses' effort is admirable — happily leaving the vinyl playing (or in today's digital age, the Spotify Playlist) irregardless of whether it was side A or B, whereas Oasis' features a couple of, relatively weaker tunes. Such is the bar set by timeless, anthentic tunes like "Slide Away" and "Live Forever." Listeners often find themselves skipping less celebrated tracks like "Bring It On Down" (despite Noel's unbelievable solo) and "Digsy's Diner" — which Oasis have admitted themselves was a bit of a jokey release.

Overall, it is evidently subjective and maybe even era-dependent, but for me, the sheer musical talent salient across The Stone Roses makes this album unparalleled — except of course The Queen Is Dead. Squire and Brown's stage presence makes these songs come to life live and the scenes are incredible; however, even stripped back of all the pandemonium, I think this album speaks for itself. Noel has said himself, had he not heard "Sally Cinnamon" back in 87, he'd never have aspired to start up a band.

Sure, the bravado of Definitely Maybe is meritorious and I can't think of a better feeling than belting out the chorus of "Supersonic" with your pals — but for its consistency and, in particular, the closing two songs of "This Is The One" and "I Am The Resurrection," I think Brown and his merry band take this one. That said, best track over the two albums has to be "Slide Away," but I know you don't know or care!